Filed under: Music

Live Podcast Monday: Designing Immersive Experiences

I'll be hosting a live podcast on Monday on the topic of 'sonic convergence.' More specifically, the art and science of designing immersive experiences.

With me will be: renowned soundscape designer Martyn Ware (London) whose work spans from founder of Heaven 17 and the Human League to a sound designer with recent installations at the NY MoMa and the Venice Architectural Biennale; and Brian Schmidt (Seattle), who has been the guiding 'sonic spirit' for audio in the Xbox and primary composer for multiple game titles for Sega, Sony and Electronic Arts, in addition to hundreds of arcade, console and pinball games.

This will be a live podcast, meaning you can 'tune in' live and participate in the conversation (via IM+Skype). (You'll also be able to listen anytime after the show as you would a traditional podcast.)

Show details: Monday January 26, 9:30 a.m. Pacific time, 12:30 p.m. Eastern, 5:30 London time. Show URL: http://www.smallplateradio.com/042/

Please join us. Many thanks in advance to Small Plate Radio for making it possible.

-- Noel Franus

The 5-step primer for fixing brand dissonance

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Image by onkel_wart

New year, new traction. Budgets may have tanked in the last year, but that doesn't mean we should be standing still, ignoring the fine-tuning and maintenance that's required to maintain strong brands.

I've talked with a number of companies that feel stuck—stuck to do anything other than maintain status quo in all aspects of the business. And that's simply not necessary. It doesn't cost much to spot a problem and understand how to fix it.

At Sonic ID we focus exclusively on the intersection of brands and sound. So I've compiled a quick list of five simple, decidedly easy options for improving the performance of your brand by exploring your costs and returns on music and sound, and how to boost the value of those investments in your brand. Comments/additional ideas welcome.

1. Embrace the bottom line. Times are tight, and budgets are, too. Every last dollar in your CMO’s control is under the microscope: brand positioning, brand programs, traditional advertising, online media, guerilla marketing and so on. With most companies, however, there’s an elephant in the room regarding the dollars spent on music and sound across those touchpoints. People are hearing your brand on television, on the phone, on the web and at events, and what they’re hearing directly affects their perceptions about your company. What’s the cost of reaching those ears? If you don’t know, you should. Ask your peers, internal departments and agency partners. The sooner you can define that bottom line, the sooner you can make informed decisions about future spending.

2. Assess performance. Once you’ve quantified your budgets, you can measure effectiveness. As with all brand-level funds, these should be performing as investments—not throwaway costs. Think NBC, Intel or Nokia; does the sound of your company articulate your core values and attributes, or are you just making a lot of dispensable noise? Music and sound affects what we think, say, feel, do...and buy. It should benefit your brand. Now’s a good time to listen to the brand across your mediascape to see what it says about your company.

3. Take a snapshot. Assessing brand perceptions through the lens of music and sound can take time, especially if it’s a competitive review. But for powerful easy-bake results, a ‘sonic snapshot’ of your company can be conducted from your desktop. Using the web it’s relatively easy to find commercials, events, webcasts, podcasts, demos and other sonic evidence of your brand in the wild. What to look for: does your brand sound consistent, or chaotic? Unique or generic? Flexible or staid? Collect, compile and assess.

4. Harness the power of quick wins. A revision to your company’s visual identity can affect hundreds of touchpoints and cost millions. Sonic identities are no different—the process of seeding, growing and strengthening perceptions takes work. There are, however, some simple fixes you can put to work right away: the music and sound deployed in your call center, online media and networked technology (computers, iPhones, mobiles, ringtones) are relatively inexpensive and easy to update, versus the extensive effort required to spread the sound of your brand across your next few tv campaigns. Identify your low-hanging fruit opportunities and move on them.

5. Don’t wait to plan for the future. Now’s the time to think long term; what does your brand sound like, where should this live, and how should it evolve for maximum brand value? Yes, the economy sucks, but nothing lasts forever. Someday those budgets will free up, and when they do, you’ll be the one who approached the Powers That Be in your organization and said: “I’ve spotted a problem—we’ve been spending $x per year across the enterprise on this with dubious results. I can solve the problem and improve the performance of our investments. Here’s how.” When budgets open up, it’s better to be prepared than not.

-- Noel Franus

Auditorium = compelling productivity killer

Keeping it light this week as we tackle the big to-do list that precedes most holiday breaks. Our friend and Chicago-based sound designer Joseph Fosco pointed me recently to Auditorium, a Flash-based sound discovery game that's worthy of your attention for at least an hour of your time (preferably sometime later this week, post-Turkey and cranberries, when you're not billable or accountable to others).
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Auditorium is created by Philadelphia's Cipher Prime. Happy exploring. -- Noel Franus

Back on the grid—links for 8-08-2008

I'm back after more than two weeks away. Here's five inspiring links to get things rolling again.

Does music sound better today than it did 30 years ago? Sonic ID's very own Martyn Ware leads a podcast conversation with experts Tom Dunmore (Stuff magazine), Rob Kelly (Strongroom studios), Stephen Budd (artist/producer manager) and Tim Lawrence (culture writer). Facilitated by B&W.

Bowers and Wilkins Senior Design Engineer John Dibb recently led a "sound tasting" at Abbey Road Studios: "On a personal level I felt the same satisfaction I felt as a teenage speaker designer, and still do as a professional, when someone really gets how important sound is and how getting the illusion closer to reality is such a magical thing." Here's the story.

Brandchannel.com has a good writeup on the use of sonic branding and identity in India -- with quotes from our pal Marcel de Bie and my former Elias frontman Martin Pazzani.

Mascara has gone electric. Unfortunately the sound of Estee Lauder's and Lancome's new electronic eyeliner is a "hum as annoying as a vibrating cellphone." I can only assume this is not an intentional attribute of either brand.

And finally...nice Frontline World story about a Mozambique singer who's saving lives by singing about...latrines.

-- Noel Franus

Music Monday

Let's skip the brandspeak and business chitchat for the morning and cut straight to the music. A few of this week's musical-radar tidbits:

BoingBoingTV has a good interview with Big Peter of New Orleans' Hot 8 Brass Band, one of a handful of smokin' second-line bands in the city today...including the beloved Rebirth, the Dirty Dozen and my personal fave the Treme Brass Band. Watch:

Meanwhile, the kids can't seem to get enough Man Man -- especially the Ballad of Butterbeans. This Philly-based band is like Tom Waits with an espresso and a trampoline. This is the music your sedatives warned you about.

And finally, Birds & Batteries' Ocarina has quickly become my earworm of the week. Beatrix and I drove around town running errands all day yesterday, but it wasn't a total waste because I had Ocarina on repeat-repeat-repeat. The song's a scintillating throwback to 70's-80's keyboard album rock -- which I'm not normally a huge fan of -- and the simple, transformative lyrics make this a left-brain+right-brain treat.

Happy listening.

-- Noel Franus

Midweek Linkery in the Land of Sonic Identity

  • The dynamic duo at Audiobrain is featured in this month's Fast Company. Nice job -- great to see sonic branding and identity taking center stage in mainstream media.
  • Martin Pazzani at Elias Arts has an interesting thought: too much music can dilute your brand. He's right.
  • And finally, my Sonic ID partner Martyn Ware (who's populated this space recently) has an interesting new blog and podcast over at the Bowers and Wilkins website -- part of its Society of Sound Lab. (Warning: clicking may suck you in for an entire afternoon.)
All for now. My podcast number two is going up this week. Stay tuned. -- Noel Franus

More Research on Music and Food

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Photo by emurray

Professor Adrian North, the undisputed heavyweight in researching music's effects on consumer behavior, has a new research hit. His latest finding: music enhances wine taste.

"White wine was rated 40% more zingy and refreshing when (such) music was played, but only 26% more mellow and soft when music in that category was heard." Translation: sound affects perceptions -- what you think, say and feel.

"Cognitive priming theory" might encourage winemakers to put music suggestions on their labels, says Prof. North.

I think that's a great idea -- and one that's no doubt music to the ears of music marketers and licensed-music libraries. But I have to admit I wonder exactly how many people sense a need to hear their winemaker's music suggestions. (Personally I'm all for it, but I'm far from an ideal demographic.)

On the other hand, all winemakers and retailers have a need to sell more wine. Let's take it further and explore the role of music and sound at the actual point of purchase: what you hear affects what you buy and how you feel about that.

On a related and entirely self-serving note, we at Sonic ID are working with a fascinating luxury brand to explore creative options that address just that concern. Stay tuned for more in the coming months.

-- Noel Franus

Local Radio, Anywhere on Earth

Sunday sharing: last night I came across a very enjoyable piece by Bill Mckibben in the Atlantic on the joys of internet radio and the problems with satellite radio. Snip:
It’s so nice to be able to easily listen to what real American radio remains. My tabletop pulls in nearly every public-radio station in America, meaning that the great talk shows on dozens of stations...are always in range... Satellite radio...is a glorified airline entertainment system—hundreds of channels signifying next to nothing. Signifying next to nothing because satellite comes from nowhere. Just like the Clear Channel stations, it surrenders the thing that makes radio so magical: connection to a community. As a rough rule of thumb, the smaller the community at which a signal is aimed, the more interesting the radio—it scales down better than it scales up.
Personally, I can't help but think of satellite vs. internet as Taco Bell vs. San Francisco Mission burritos, or Budweiser vs. any local craft/micro brew. I'm glad Mckibben included a collection of his favorite radio links as I'm always looking for more. I'm a slave to WWOZ New Orleans, KEXP Seattle and KCRW Santa Monica, among others. But I have to admit that managing my listening via iTunes or bookmarks isn't as simple as I'd like, so I'm also grateful to Mckibben for mentioning his Acoustic Energy internet/wi-fi radio. Wait, did someone say wi-fi radio? Christmas is right around the corner, right? This gives me an idea...